Saturday, December 13, 2008

Capsule Post #6- Iron Man, The Band's Visit, Tropic Thunder

December 8, 2008

Iron Man (2008) ***1/2

Directed by Jon Favreau

Plot: Based on the famous comic book character, Iron Man chronicles the transformation of multi-billionaire weapons mogul Tony Stark (Robert Downey Jr.) into the film’s title character, consisting of ultra-sophisticated body armor which allows Stark to fly. While captured by terrorists who force Stark to build a powerful smartbomb for their use, he invents the prototype for Iron Man before being rescued. At a press conference, Tony announces that Stark Companies will no longer be producing weapons, much to the annoyance of Obadiah Stane (Jeff Bridges) who is second in command. Eventually, the terrorists find the original Iron Man prototype and use it to build an even more powerful Iron Man than Tony’s. So who becomes the evil Iron Man? Is perhaps Obadiah a bigger threat than we may have originally thought?

Review: I said in my review of Zodiac how happy I am that drugs didn’t kill Robert Downey, Jr because he’s quickly becoming one of the very best actors of our time. Who would have thought that a popcorn flick like Iron Man would prove that sentiment true once again? Downey is truly wonderful, and yet, there’s something about his performance as Tony Stark that doesn’t take itself too seriously, which is certainly a good thing! The supporting cast is better than you’d expect as well with such talents as Jeff Bridges, Terrence Howard and especially Gweneth Paltrow as Stark’s love interest/personal assistant Pepper. Paltrow gave one of the best performances I’ve ever seen in Shakespeare in Love, and since then, she hasn’t really been able to find her footing regarding her career. Certainly, this role is a step in the right direction.

Sadly, what holds Iron Man back are its action scenes, especially its conventional, predictable final showdown. I had the privledge of watching this film on my parents’ 42’’ high-definition television, and even so, I didn’t enjoy the special effects much, and I certainly wasn’t all that exhilarated like I was watching The Dark Knight. The CGI effects look almost cartoonish, and the transition into all out mayhem was too abrupt, making the entire final act feel disappointingly absurd.

That being said, I loved all the non-action scenes. I thought the character of Tony Stark was brilliantly realized, and his inner conflicts came across very well. Once again, most of the praise ought to go to Downey. Also, there are quite a few laughs throughout, especially when Tony works through the kinks in the suit.

Ultimately, Iron Man can be described as having moments of greatness when not viewed as an action movie.

The Band’s Visit (2007) **

Directed by Eran Kolirin

Plot: Members of the Egyptian Police’s Ceremonial Orchestra, led by the stuffy Lieutenant-colonel Tawfiq Zacharya (Sasson Gabai), are forced to spend the night with an unconventional Jewish family in Israel because no arrangements are made for them to travel to a concert in which they are scheduled to perform. This one night (supposedly) impacts the members of the band, and of course, the band leaves its mark on the family and their small town.

Review: If I were a critic that was included on RottenTomatoes.com, I’d be one of the very few party-poopers that would have a rotten tomato instead of a fresh one on The Band’s Visit page. This film received an almost unprecedented 98% on that website! People that I know that have seen it really liked it. I think it’s important to put that out there before I share my thoughts.

The Band’s Visit comes off completely empty, giving me nothing at all to grasp onto and very little to appreciate. It’s certainly a visually interesting film—I love how the bright sky blue of the police uniforms contrasts against different backgrounds. Yes, there is some quality acting—most notably from the two leads, Gabai and Ronit Elkabetz. Unfortunately, the plot goes nowhere, and I can’t ultimately articulate what the characters learn from this one night experience. One thing is for sure—I certainly didn’t learn anything. Also, I have no idea what the film is saying about people from different cultures other than the fact that everyone should get along. That’s a moral lesson that has been played out more profoundly in countless better films.

Again, I’m in the minority, and though I can’t personally recommend The Band’s Visit, there’s perhaps a 98% chance that you will enjoy it. Still, I’m compelled to ask, “What exactly is there really to enjoy?

Tropic Thunder (2008) ****

Directed by Ben Stiller

Plot: Five very different actors travel to the jungles of Vietnam in order to film the memoir of veteran John “Four Leaf” Tayback (Nick Nolte). The production problems have made their way back to the studio brass who demand that mild-mannered director Damien Cockburn (Steve Coogan) take control of the problematic larger-than-life personalities of his actors—hip hop rapper Alpa Chino (Brandon T. Jackson), action star Tugg Speedman (Ben Stiller), Jeff “Fatty” Portnoy (Jack Black), Australian “five-time Oscar winner” Kirk Lazarus (Robert Downey Jr.) and young geeky character actor Kevin Sanduksy (Jay Baruchel). Cockburn’s plan is to put them through a type of bootcamp by leaving them in the jungle where they will face planned obstacles in order to better embody their characters. Things take a turn for the worse, however, when Cockburn steps on a land mine. Now the five actors are truly required to survive both the jungle as well as each other.

Review: There’s quite a lot left out of my plot summary and for good reason. Tropic Thunder is pretty much a stomping ground for a bunch of sight gags, parodies and comic absurdities. Almost too much is thrown into Tropic Thunder—everything from a chubby, profane Tom Cruise to Downey’s character’s method acting which results in him looking and talking like an African American even when the cameras aren’t rolling to a battle on the grounds in front of an opium ring to a character giving hints as to his own sexual orientation despite the fact that most of the songs he releases are explicitly about a certain part of the female anatomy to an amputated soldier who might just be living with two very specific lies and much, much more.

Over the past year, watching the films on AFI’s 100 Greatest Films list, I’ve seen many of the war epics that Tropic Thunder is spoofing including Apocalypse Now, Saving Private Ryan, Platoon and Bridge on the River Kwai. Therefore, I appreciate Tropic Thunder’s humor all the more because these films are so fresh in my mind. War is one of those subjects that filmmakers take so seriously that Ben Stiller probably couldn’t help himself when he thought of the jokes that ultimately appear in the film.

Any comedy needs to be judged by how much it makes a person laugh. I laughed over and over and over again, and much of the credit for this belongs to Stiller who co-wrote the screenplay and wonderfully plays this typecasted actor who recently was panned by critics for his embarrassing performance as a mentally handicapped kid who says things like, “Mama, I'll see you again tonight in my head movies. But this head movies makes my eyes rain!” There’s a hilarious discussion about how an actor can’t go full-out retarted and expect to win an Oscar. Just look at Sean Penn in I Am Sam. It’s best instead to play semi-retarted like Tom Hanks in Forrest Gump, Dustin Hoffman in Rain Man or Peter Sellers in Being There.

The weakest element of the film lies in Jack Black’s overacting. Every single other actor in this film, maybe with the exception of Tom Cruise who doesn’t deserve his Golden Globe nomination for Best Supporting Actor, uses comic timing and irony to make us laugh. Black instead throws his performance at us, and yes, I can understand that he’s playing a Chris Farley type actor. Still, I laughed least at Black’s attempts at comedy that come across way too broad.

Yes, Tropic Thunder is uneven and crowded with too much ambition. Could it have been funnier? Absolutely. Was it enjoyable? Extremely.

1 comment:

Mad Hatter said...

I am one of the people who liked The Band’s Visit a lot. It is a lovely, gentle movie about people in a difficult/awkward situation. This situation brings out different responses that reveal people’s character. In some, it brings out generosity. In others it heightens tensions that were already there. Some of the characters are willing to connect with each other and be vulnerable. There is a tension between wanting to be self-sufficient and needing help. Other themes of the movie include hospitality and loneliness. The feel of loneliness is supported by the remoteness of the small town.

This ceremonial Egyptian band arrives in Israel to play at the opening of an Egyptian cultural center. When no one meets them at the airport, the leader (who is stoic and formal) decides that they should find their own way to the city where they are going. He sends the youngest member of the group to find out which bus they should take because the young man’s English is supposed to be better than his. In this Israeli movie, the Egyptians speak Egyptian to each other, the Israelis speak Hebrew to each other, and then both groups use English to communicate with the other group. The young man gets the information wrong and they end up in the wrong place—a little town with no hotels. When they find that they are stranded there until a bus comes the next day, an Israeli woman who runs a small restaurant decides that she and her friends should take these men in for the night.

There were two humorous scenes I especially enjoyed. Two of the Egyptians have dinner with an Israeli family that is celebrating a birthday. One of the Israeli men tells the Egyptians this nice story (in English) about how he met his wife through music, but his wife is trying to interrupt (in Hebrew) and say that that is not how they met. The Egyptian band includes one young man who wants to go out on the town. He coaches, through his actions, a young Israeli man who is totally unsure of how to act with his date. They are sitting in a row, and he puts his hand on the man’s leg and then his arm around the man’s shoulders while the man copies these moves with his date.